To honor a family promise, Rojanasnai is forced into an engagement meant for her younger sister, Romereuthai. Out of gratitude for her adoptive family, she accepts, despite knowing the groom, Paat Pathamakul, believes he was deceived. Wounded in pride, Paat treats her coldly, declaring their marriage only technical. But as she quietly endures his torment, emotions begin to shift. Can a union born of duty and misunderstanding turn into true love?

God of Death, guarding the 9th circle of hell, once decides to take a day off and goes to earth, where he collides with weather oddities, colds, and also meets a girl and falls in love with her.

Nam Duniya Nam Style is a 2013 Kannada adventure film, written, directed and produced by Preetham Gubbi. It stars Likith Shetty, Vinayak Joshi, Krishna, Sonia Gowda, Milana Nagaraj, Kavya Shetty. The film is "about three people who hail from different backgrounds and who have been friends for 15 years. The trio are a jovial and fun-loving lot, and are excited about their first travel abroad together", said Preetham, who admitted he was inspired by the Hindi film Dil Chahta Hai. H C Venu was the cinematographer, while Shaan Rahman composed the music for the movie. The film was extensively shot in Karnataka, Kashmir and Malaysia

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Thai drama tells the story of a mother who sends both her daughters to study in Bangkok, hoping that they can get good jobs to raise money for the family. Their determination and relationship is put to the test when the younger sister gets too intimate with the man they are living with.

"Wang Nam Won" centers around 3 best friends since high school. Later they join the entertainment industry and money, fame, men will cause them to turn against each other.

该剧由《浴血黑帮》编剧斯蒂文·奈特担任制作人，弗朗西斯·劳伦斯([红雀])执导，奈特与劳伦斯共同操刀剧本。剧集讲述在未来的世界，人类失去了视力，社会必须找到新的方式来交流互动、捕猎与生存。一对有视力的双胞胎诞生，所有这一切都受到挑战。莫玛将饰演一个无所畏惧的战士、领导者和守护人。

On one hot summer day in a cafe by a university, three high school girls get together. They talk about coffee, smoking and love, but none of them are truthful.

這段影片試圖通過靜態與動態影像的組合呈現碎片化的城鎮記憶。這些記憶是非連續的片段，並且被去除了原有的地理上的、時間上的和文化上的語境。它們在不斷變化的過程中塑造了我們對周圍生活環境的認知，但卻無法將我們與真實的記憶聯繫起來。最終在它們的影響下，我們將徘徊在現實與虛幻、過去與現在、地方與非地方之間的碎片中。 　　This experimental film was originally a video installation. It showcases fragments of urban recollections that one fails to place. These fragments are discrete, out-of-context and removed from geographical, chronological, and cultural frameworks. The still and motion images function in different manners of shaping our impressions to the urban landscape but both fail to connect us to the real memories. Eventually they linger as pieces in between the reality and fantasy, past and present, places and non-places.

Gifted with superhuman strength, a young woman returns to Korea to find her birth family — only to be entangled in a drug case that could test her power.